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Posts Tagged ‘Marvin Artis Meditation On A Dining Room Table’


I just love this magazine. There are semi-goofy story-poems, like Travis Burke’s “Uncle Ivan and the Last Dog Race,” which starts, “‘Well hell.’ / Uncle Ivan always said that after a loss… never hit me like I’d seen some other men there.” Uncle Ivan sounds like a character indeed. “Sometimes we’d go out for a beer… when I was older and Uncle Ivan was dying / one of those long old man deaths.” Wow. Here is a poem that exemplifies why tone matters so much.

And there are poems of indirect emotion, powerfully felt, like Barbara Campbell’s “Tangles.” “…I came home / to find my husband waiting… for his ride an hour / and a half early / and on the wrong day.” The emotion powered by the sudden turn. “Here’s what I love / about ivy. / It’s relentless…” There is a rushing forward feel to this poem, life changing, our being not ready, living in the moment because what else can we do? It is a powerful, touching poem.

Gotta like Kevin Clark’s “Elegy.” “I’ll never forget that punk Cagney jabbing words / like shivs as if he knew everything.” Face it: cool phrases matter in poetry, maybe more than anything else. Made me smile.

There are slice of life poems, like Jackleen Holton’s “Jesus Is My Flu Shot.” “I tried it once, the being saved, /my devout older cousin standing / before me…” The moment when a growing girl gets an insight into the world, the ways of those who claim to be devout.

I’m deeply a fan of Judy Kronenfeld’s “Letter to the Ministry of Loneliness.” “I take round trips on the Tube… I stand up, / for maximum contact… and inhale the steam of coffee and cigarette breaths.” Again the perfect little phrase, yielding insight, emotion, a catch of the breath. It’s a quiet poem, but no less effective for that.

I guess I like these poems so much because they are human poems. They don’t rely on abstractions, or leaps away from whatever engages the writer, they plow forward, exploring the moment, the heart of whatever is happening.

We are carried along as the writers interact with, and come to understand, those in their lives, as Kathryn Petruccelli’s narrator does in her poem, “Lamps.” “My mother used to tell me / there was a time / she kept a closet full of lamps / so whenever one of her kids / broke one…” They are poems about the things that matter. Memories of our family, experiences with them, coming to grips with loss, with the zany humor of life.

One last poem I’ll mention, “Meditation On A Dining Room Table,” by Marvin Artis. “She wanted warm wood. He wanted the sleek and gleam / of glass and steel. They compromised…” The table becomes a way to understand the relationship between this couple, maybe why they break up, maybe how they are still connected in a sort of reflected manner, all these years later.

The latter poem is the first of a section in the magazine dedicated to poets who have never had a poem published before. The way I see it, that takes a certain amount of courage on the part of the editor, hoping the audience will go along with such a concept, to see what appears. I love a magazine that takes such risks.

Peace in poetry,

P M F Johnson

My eBook of poems, Against The Night, a hopeful-but-wry look at love in a long marriage, is available on Amazon, and at other fine e-retailers.

Related blog posts:

Iconoclast – #116

The New Yorker – Aug 13, 18

Rattle 60 – Summer 2018

 

 

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