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Posts Tagged ‘Geoffrey G O’Brien Fidelio’


The first poem in this issue is “Essay On ‘An Essay Concerning Human Understanding,'” by Catherine Barnett. “John Locke says children don’t understand lapsed time, / and when I was a girl it was true.” Is it just me, or does that start out kind of dry and serious? But we are promised amusement by that title, an essay on an essay, and soon enough, Barnett delivers: “It’s been three hundred years and still my feelings for Locke / must pass unrequited.” Our narrator goes on to try impressing her friends with bad French, and ends meditating on a view of the Sacré-Cœur Basilica in Paris, and on human history. The focus on Locke keeps the poem hanging together, and thinking about the human condition is the organizing theme. A light-hearted poem, with a marvelous ending, that I enjoyed re-reading.

The other poem is “Fidelio,” by Geoffrey G. O’Brien. “It’s so narrow here. And kind of falsely / Shining with the return of spring.” Google is often helpful with such erudite poetry, and sure enough, Fidelio turns out to be Beethoven’s only opera. Knowledge of the story helps us understand the poem. The opera is set in a prison, and involves a man falsely imprisoned, with his wife trying to save him from unjust execution. “There are prisons both sides of the walls.” and, “No one can sing that music but all / involve themselves…” I really don’t follow the logic of the poem, but it keeps pulling me back in anyway. Just the chewiness of the lines, I guess. “…a garden, it’s wet petals still / Clustered shy of being individual.”

Peace in poetry,

P M F Johnson

My eBook of poems, Against The Night, a sweet, rueful look at love in a long marriage, is available on Amazon, and at other fine e-retailers.

Related blog posts:

Rattle 59 – Spring 2018

Blue Collar Review – Fall 2017

The New Yorker – Jan 22 2018

 

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