Posts Tagged ‘Al Markowitz’

One of the joys of the Blue Collar Review is the straightforward, emotional nature of the poems. You know where you stand, no fadiddling, as my Dad would have said.

Michael Collonnese starts this issue out with a great poem, “In Concrete,” about an early job. “When the motor on the ancient cement truck quit turning its tub.” it begins. We’re given the problem, then the challenge. “Someone had to crawl inside…and scrape the sides… As I was the youngest…I was the least valuable.” There is something satisfying about poetry that confronts life like this, its conflicts and ironies, not often available in more academic tomes. But this poem is not simply a recitation of a situation, the poet turns this into a larger reflection of life, in a beautiful deepening at the end.

Fran Markover also reflects on work she had in “Jelly Doughnuts.” “I once was in charge of them, thick pillows…” Very apt. Never thought of doughnuts as pillows, but the metaphor feels perfect. We’re brought in the moment with marvelous details. “I’d carry the metal pastry syringe,” and “the cauldrons and spillage of Albert’s Bakery.” Then she compares that work to current work: “when patients reveal…psychic wounds… I wish I could offer / something more satisfying than nods.” A good way to reveal the practical worth of such work.

We also learn of work maybe we’d never thought much about, as in Winston Derden’s “Thieves.” “The light head, sense of spinning / come from heat and dehydration…” I like that, starting with the danger, pulling us into the poem. Only then do we begin to catch a sense of what the work is: “detached stingers add / their heart-rending toxins… robbing bees in July Texas / down a brown loam trail.” We feel ourselves there, we empathize. Then a cold-hearted moment at the end gives us a jolt of irony, a sense of injustice. Nicely done.

Al Markowitz has a tough little poem in here about the current scene, “Gigged.” “Have you been gigged? / You know, the post jobs / gig economy…” It’s tough out there, I know it, this poem says. Listen to us, hear the need for change. “no sick pay or holidays, no / x-mas bonus…” We’re left with sadness after the closing double-meaning line.

Finally, Mary Franke gives us “Can’t Work For Nothing, Can’t Live On It,” which uses humor to make her point. “I do it myself or don’t get it done / it kills cars and me?” Love the kind of painful amusement in that. The mechanic does not seem helpful here. “we don’t even touch / the dipstick we pass a / wand over your junker and it / twinkles if we want to sell / you a Twazzen…” Of course, how often won’t they want to sell you a Twazzen? But the poem reveals a relatively desperate situation, the humor only highlights the trouble. Well done.

Peace in poetry,

P M F Johnson

My eBook of poems, Against The Night, a sweet, rueful look at love in a long marriage, is available on Amazon, and at other fine e-retailers.

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The Winter issue of Blue Collar Review starts with “Ash Wednesday,” a poem about men locked up in jail, by Eric Fischer Stone. “In the drunk tank, red-eyed men / float gangly through their dreams.” It’s a poem very much rooted in concrete images, to good effect. “he can’t smell the dogwoods blush / pink from shimmering wedding dresses.” We get the frustration, and the timelessness of their ordeal. “…in a primordial dinosaur-forest…” A very good poem.

The narrator in Dolores Guglielmo’s “Valley of Ashes” recalls a childhood in a rough world. “I called the desolation / my playground — / Running through eggshells / And rusted coffee cans”. It’s not a pretty place. “the rodents / Their ravenous teeth Bursting half-eaten orange rinds…” But we can’t turn away, fascinated despite ourselves, familiarity helping us to look at rodents in perhaps a slightly different way: “Those unsung martyrs.” I liked this poem.

Robyn Stone-Kraft also writes a solid poem many will identify with, “I Never Wanted to be a Princess.” “Life was fulfilling, sitting at my / spinning wheel.” But conflict arises, of course. “…father wanted / more, and so he / lied, my life on the / thread if…” A great turn of phrase, there. And a good ending.

Templeton-Greene weaves together a story from many pieces in “A Haunting.” It begins, “The paper cuts on my hands / spell the word ‘IF’.” Wish I’d come up w that. There are a number of fine moments in this poem: “The red sores on her knuckles / are holy crosses reminding God…” Very much worth reading.

And I like the poem, “Failure?” by Al Markowitz, editor of the journal. “The book / a graphically clumsy / embarrassment of riches…” It’s a reflection on what it means to have published a book of poems, even if it doesn’t sell many copies. A humble little screed, well worth the time. “people don’t buy poetry / bored to death by the abstract, introverted fluff / that collects dust on the shelves of big book stores…” Now who can’t agree with that? ;-> Mr. Markowitz shows a real touch for constructing a poem himself, after all those years of editing. A great apprenticeship for the craft, I suspect.

Peace in poetry,

P M F Johnson

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